© 2018 by Fabiano Araújo

Fabiano Araújo

 

Música e Musicologia

Bio

Publicações

 

Fabiano Araújo Costa

1974 - Vitória, Brasil

2018 | Artigos

Araújo Costa, F. (Feb 2018a), “Brazilian Popular Music and the Audiotactile Paradigm: An Introduction”, RJMA – Journal of Jazz and Audiotactile Musics Studies, n. 1, Eng. Section, IReMus. URL: http://www.iremus.cnrs.fr/fr/publications/revue-detudes-du-jazz-et-des-musiques-audiotactiles

* This article will be published in the same Journal simultaneously in English, French, Italian and Portuguese

Araújo Costa, F. (Feb 2018b), “Groove and Writing in Toccata em ritmo de Samba nº 2 by Radamés Gnattali: Mediological Subsumption and Emergences of the ‘Interactional-Formative Space’”, RJMA – Journal of Jazz and Audiotactile Musics Studies, n. 1, Eng. Section, IReMus. URL: http://www.iremus.cnrs.fr/fr/publications/revue-detudes-du-jazz-et-des-musiques-audiotactiles

* This article will be published in the same Journal simultaneously in English, French, Italian and Portuguese

Araújo Costa, F.; Caporaletti, V.; Cugny, L. (Feb 2018c), « CRIJMA/RJMA – Programme », RJMA – Journal of Jazz and Audiotactile Musics Studies, n.1, Eng. Section, InstIReMus. URL: http://www.iremus.cnrs.fr/fr/publications/revue-detudes-du-jazz-et-des-musiques-audiotactiles

* This article will be published in this same Journal simultaneously in English, French, Italian and Portuguese

 

Araújo Costa, F. (2018d), “Notas sobre a trajetória de Egberto Gismonti na ECM entre 1976 e 1995: interações, transculturalidade e identidade artística”, Anais Egberto Gismonti e Mariza Rezende | V Festival de Música Contemporânea Brasileira, [FMCB], Vol. 5, ISSN: 2526-5784. URL: http://fmcb.com.br/publicacoes

 

2018 | Capítulos de livro

Araújo Costa, F. (Forthcoming 2018e), “Écouter le ‘lieu interactionnel-formatif’: émergences de la forme formante dans l’experience esthétique musical collective audiotactile”, In: Ramaut-Chevassus, B. & Fargeton, P., Écoute multiple, écoute des multiples, Paris, Éditions Hermman, coll. « Esthétique » (GREAM/CIEREC).

 

Araújo Costa, F. (Forthcoming 2018f), “O problema da ‘formatividade’ nos trabalhos teóricos de Umberto Eco: origens, posicionamentos, e uma leitura recente no campo da musicologia”, In: Vermes, V. Mònica et al (org.), Obras abertas: leituras de Umberto Eco, Ufes, 2018. URL: https://seminarioumbertoeco.wixsite.com/obrasabertas/publicacoes

 

2010 – 2015 | Artigos

Araújo Costa, F. (2015), “Plurality of ‘Spuntos’ and Audiotactile Formativity: A New Look on Collective Music Improvisation”, Itinera: Rivista di filosofia e teoria delle arti, Nuova serie, n. 10 - Sistema e libertà. Razionalità e improvvisazione tra filosofia, arte e pratiche umane, (Università Degli Studi di Milano), p. 216 ­-233. Doi: http://dx.doi.org/10.13130/2039-9251/6661

Araújo Costa, F. (2015), “Notes on the Interactional Aesthetic Experience in Miles Davis’ 1969 Groups: The ‘Bitches Brew’ Project and Concerts with the 3rd Quintet”, Epistrophy, nº1, Jazz et Modernité/Jazz and Modernity - ISSN: 2431-1235. URL: http://www.epistrophy.fr/remarques-sur-l-experience.html

Araújo, F. & Borém, F. (2013), “Schoenberg's Tonal Harmony: a proposal of analysis, realization and composition of lead sheets”, Per Musi, Belo Horizonte, UFMG, nº 28, Jul/Dez 2013, p. 35-69. URL: http://ref.scielo.org/6kmjv7

 

Araújo, F. & Borém, F. (2013), “Schoenberg's Developing Variation on Hermeto Pascoal: analysis and realization of two lead sheets from Calendário do Som”, Per Musi, Belo Horizonte, UFMG, nº 28, Jul/Dez 2013, p. 70-95. URL: http://ref.scielo.org/4tnwfy

Borém, F. & Araújo, F. (2010), “Hermeto Pascoal: Life Experience and the Formation of his Harmonic Language”, Per Musi, Belo Horizonte, UFMG, nº 22, Jul/Dez 2010, p. 22-43. URL: http://ref.scielo.org/g3pk9c   

 

Edição de manuscritos

 

Pascoal, H. & Araújo, F. (2013), “23 de junho de 1996 (Calendário do som) : manuscrito e lead sheet de realização”, Per Musi, Belo Horizonte, UFMG, nº 28, Jul/Dez 2013, p. 96-98. URL: http://ref.scielo.org/n7p699

Pascoal, H. & Araújo, F. (2013), “9 de junho de 1997 (Calendário do som) : manuscrito e lead sheet de realização”, Per Musi, Belo Horizonte, UFMG, nº 28, Jul/Dez 2013, p.99-101. URL: http://ref.scielo.org/7gtsxr   

Formação

  • 1995 - 1999 | Bacharelado em Música Popular - UNICAMP (Brasil)

  • 2005 - 2007 | Mestrado em Música - UFMG (Brasil)

  • 2012 - 2016 | Doutorado em Música e Musicologia - Paris-Sorbonne (França)

 

Afiliações Acadêmicas

Faculdade de Música do Espírito Santo [FAMES]

  • ​Diretor Geral.

Universidade Federal do Espírito Santo [UFES]

  • ​Professor Adjunto C2 - Departamento de Teoria da Arte e Música.

  • Coordenador do Núcleo de Estudos em Música e Musicologia Audiotátil [eMMa].

Universidade Federal do Estado do Rio de Janeiro [UNIRIO]

  • Professor Colaborador do Programa de Pós-Graduação em Música.

Institut de Recherche en Musicologie [IReMus/Paris-Sorbonne/CNRS - França]

  • Membro Associado

  • CRIJMA Co-diretor: Centre de Recherche sur le Jazz et Musiques Audiotactiles [IReMus]

  • GRMB Research Collaborator: Groupe de Recherche de Musique Brésilienne

  • RJMA Direção Editorial (link is external): Revue Jazz et Musiques Audiotactiles

 

Universidade Estadual de Campinas [Unicamp]

Conferências

Paris-Sorbonne University, France

Invited Speaker, “Brésil-France-Italie. L'internationalisation de la recherche à travers les dialogues musicaux. La "musique audiotactile",” Séminaires Internationaux du GRMB - IReMus, Paris, France, April 6, 2017. URL :<http://www.iremus.cnrs.fr/sites/default/files/programme_du_6_avril_en_4_pages.pdf>

Invited Speaker, “À quoi sert la Théorie des Musiques Audiotactiles”, Round Table Member, Paris-Sorbonne University, Paris, France, September 9, 2016

Invited Speaker, Journée d’études dediée à la Théorie des Musiques Audiotactiles, Round Table Member, Paris-Sorbonne University, Paris, France, Juin 4, 2015

Contributed, “Groove et écriture dans une ‘rélécture’ de Toccata em Ritmo de Samba n. 2 de R. Gnattali”, Seminaire International du GRMB “Brésil, musique nouvelle, musique ancienne”– Univertsité Paris-Sorbonne, Paris, France, January 23, 2015

URL: http://www.iremus.cnrs.fr/fr/evenements/bresil-musique-ancienne-musique-nouvelle

University of Turin, Italy

Contributed, “Pluralité de ‘Spuntos’ et Formativité Audiotactile”, Convegno Sistema e Libertà. Razionalità e Improvvisazione tra Filosofia, Arte e Pratiche Umane, Centro Studi Filosofico “Luigi Pareyson”, Universtà di Torino, Turin, Italy, January 29, 2015. URL: http://www.pareyson.unito.it/Locandina-convegno-sistema-e-liberta.pdf

 

Conservatoire Nationale Supérieur de Musique et Danse de Paris, France

Invited Speaker, “La mise en place de la notion de formativité dans la musicologie du jazz: l’approche analytique audiotactille de Caporaletti”, Journée d’études Théories d’Analyse, 2014.

 

Jean-Monnet University, France

Invited Speaker, “Écouter/Reconnaitre le ‘Lieu Interactionnel-Formatif’: Singularité et Universalité dans l’Expérience Musical Collective Audiotactile”, Cycle de Journné d’Études Écoute Multiple, Écoute des Multiples, Université Jean-Monnet et Université de Lyon, Saint-Étienne, France, March 24, 2017. URL: https://www.univ-st-etienne.fr/_attachments/cierec-journee-d-etude-diversite-de-l-ecoute-musicale-2-2/PROGRAMME CYCLE JOURNEES.pdf?download=true

University of Macerata, Italy

Guest Lecturer, “Nuove Prospettive sulla Musica Brasiliana”, Conferenza nell’ambito del corso di Musicologia Generale, Università di Macerata, Macerata, Italy, March 31, 2017. URL: http://studiumanistici.unimc.it/it/site-news/eventi/nuove-prospettive-sulla-musica-brasiliana

Conservatorio ‘Santa Cecilia’ di Roma, Italy

Guest Lecturer, “Nouveaux Regards sur la Musique Brésilienne”, Conservatorio ‘Santa Cecilia’ di Roma, Rome, Italy, March 30, 2017

Federal University of Goiás, Goiânia – UFG, Brazil

Invited Speaker, “Música e Improvisação”, XVI Sempem - Seminário Nacional de Pós-Graduação em Música da UFG, EMAC/UFG, Goiânia GO, Brazil, Sept 26, 2016.  URL: http://sempem2016.weebly.com/dr-fabiano-arauacutejo-costa-ufes.html

Invited Speaker, “Música Audiotátil: Um novo olhar sob o fenômeno improvisativo”, V Encontro nacional de piano da UFG, Goiânia GO, Brazil, Sept 29, 2016. URL: http://encontropianoemac.wixsite.com/encontropianoemac/services

Guest Lecturer: IV Encontro Nacional de Piano da UFG, (Sept 26, 27 & 28, 2016), Course: “Analysis of ‘Audiotactile Musics’ Compositional, Extemporaneous and Improvisational Processes”. Original Title:  Análise de processos composicionais, extemporâneos e improvisativos de ‘músicas audiotáteis’. URL: http://encontropianoemac.wixsite.com/encontropianoemac/services

                     

Espirito Santo College of Music – FAMES, Vitória, ES, Brazil

Invited Speaker, VI Music Research Week: Diversity in Music – Concepts and Practices in a Plural Society: “Transcultural Musicology: Cultural Diversity in Music Making”,  URL: http://fames.es.gov.br/noticiasView/72390_-Fames-divulga-programacao-para-a-VI-Semana-de-Pesquisa-em-Musica.html

Federal University of of Rio de Janeiro – UFRJ, Brazil

Key Speaker, Ist CRIJMA Cycle of Musicology Seminars – Brazil 2017, “Improvisation, Groove and Musical Interaction: Audiotactile Epistemological Pertinence”, Aug 25, 2017, URL: http://www.musica.ufrj.br/index.php?option=com_content&view=article&id=1975:2017-08-13-20-47-50&catid=39:gerais&Itemid=86

Federal University of the State of Rio de Janeiro – UNIRIO, Brazil

Key Speaker, Ist CRIJMA Cycle of Musicology Seminars – Brazil 2017, “Improvisation, Groove and Musical Interaction: Audiotactile Epistemological Pertinece”, Aug 14, 2017, URL: https://crijmabrasil2017.wixsite.com/crijmabrasil2017-pt/progr-unirio

Federal University of Minas Gerais – UFMG, Brazil

Key Speaker, Ist CRIJMA Cycle of Musicology Seminars – Brazil 2017, “Musicology in Audiotactile Perspective”, Aug 21, 2017, URL: https://crijmabrasil2017.wixsite.com/crijmabrasil2017-pt/progr-ufmg

State University of Campinas – UNICAMP, Brazil

Key Speaker, Ist CRIJMA Cycle of Musicology Seminars – Brazil 2017, “The Audiotactile Paradigm in Musicology”, Aug 23, 2017, URL: https://www.iar.unicamp.br/evento/1o-ciclo-de-seminarios-de-musicologia-do-crijma

Federal University of Espírito Santo – UFES, Brazil

Key Speaker, Ist CRIJMA Cycle of Musicology Seminars – Brazil 2017, “Formativity and Audiotactility”, Aug 24, 2017, URL: https://crijmabrasil2017.wixsite.com/crijmabrasil2017-pt/progr-ufes