Bio
Publicações
Fabiano Araújo Costa
1974 - Vitória, Brasil
2019 | Capítulos de livro
Araújo Costa, F. (2019), “À l'écoute du ‘lieu interactionnel-formatif'”, In: Ramaut-Chevassus, B. & Fargeton, P., Écoute multiple, écoute des multiples, Paris, Éditions Hermman, coll. « Esthétique » (GREAM/CIEREC).
2018 | Artigos
Araújo Costa, F. (Feb 2018a), “Brazilian Popular Music and the Audiotactile Paradigm: An Introduction”, RJMA – Journal of Jazz and Audiotactile Musics Studies, n. 1, Eng. Section, IReMus. URL: http://www.iremus.cnrs.fr/fr/publications/revue-detudes-du-jazz-et-des-musiques-audiotactiles
* This article will be published in the same Journal simultaneously in English, French, Italian and Portuguese
Araújo Costa, F. (Feb 2018b), “Groove and Writing in Toccata em ritmo de Samba nº 2 by Radamés Gnattali: Mediological Subsumption and Emergences of the ‘Interactional-Formative Space’”, RJMA – Journal of Jazz and Audiotactile Musics Studies, n. 1, Eng. Section, IReMus. URL: http://www.iremus.cnrs.fr/fr/publications/revue-detudes-du-jazz-et-des-musiques-audiotactiles
* This article will be published in the same Journal simultaneously in English, French, Italian and Portuguese
Araújo Costa, F.; Caporaletti, V.; Cugny, L. (Feb 2018c), « CRIJMA/RJMA – Programme », RJMA – Journal of Jazz and Audiotactile Musics Studies, n.1, Eng. Section, InstIReMus. URL: http://www.iremus.cnrs.fr/fr/publications/revue-detudes-du-jazz-et-des-musiques-audiotactiles
* This article will be published in this same Journal simultaneously in English, French, Italian and Portuguese
Araújo Costa, F. (2018d), “Notas sobre a trajetória de Egberto Gismonti na ECM entre 1976 e 1995: interações, transculturalidade e identidade artística”, Anais Egberto Gismonti e Mariza Rezende | V Festival de Música Contemporânea Brasileira, [FMCB], Vol. 5, ISSN: 2526-5784. URL: http://fmcb.com.br/publicacoes
2018 | Capítulos de livro
Araújo Costa, F. (2018), “O problema da ‘formatividade’ nos trabalhos teóricos de Umberto Eco: origens, posicionamentos, e uma leitura recente no campo da musicologia”, In: Vermes, V. Mònica et al (org.), Obras abertas: leituras de Umberto Eco, Ufes, 2018. URL: https://seminarioumbertoeco.wixsite.com/obrasabertas/publicacoes
2010 – 2015 | Artigos
Araújo Costa, F. (2015), “Plurality of ‘Spuntos’ and Audiotactile Formativity: A New Look on Collective Music Improvisation”, Itinera: Rivista di filosofia e teoria delle arti, Nuova serie, n. 10 - Sistema e libertà. Razionalità e improvvisazione tra filosofia, arte e pratiche umane, (Università Degli Studi di Milano), p. 216 -233. Doi: http://dx.doi.org/10.13130/2039-9251/6661
Araújo Costa, F. (2015), “Notes on the Interactional Aesthetic Experience in Miles Davis’ 1969 Groups: The ‘Bitches Brew’ Project and Concerts with the 3rd Quintet”, Epistrophy, nº1, Jazz et Modernité/Jazz and Modernity - ISSN: 2431-1235. URL: http://www.epistrophy.fr/remarques-sur-l-experience.html
Araújo, F. & Borém, F. (2013), “Schoenberg's Tonal Harmony: a proposal of analysis, realization and composition of lead sheets”, Per Musi, Belo Horizonte, UFMG, nº 28, Jul/Dez 2013, p. 35-69. URL: http://ref.scielo.org/6kmjv7
Araújo, F. & Borém, F. (2013), “Schoenberg's Developing Variation on Hermeto Pascoal: analysis and realization of two lead sheets from Calendário do Som”, Per Musi, Belo Horizonte, UFMG, nº 28, Jul/Dez 2013, p. 70-95. URL: http://ref.scielo.org/4tnwfy
Borém, F. & Araújo, F. (2010), “Hermeto Pascoal: Life Experience and the Formation of his Harmonic Language”, Per Musi, Belo Horizonte, UFMG, nº 22, Jul/Dez 2010, p. 22-43. URL: http://ref.scielo.org/g3pk9c
Edição de manuscritos
Pascoal, H. & Araújo, F. (2013), “23 de junho de 1996 (Calendário do som) : manuscrito e lead sheet de realização”, Per Musi, Belo Horizonte, UFMG, nº 28, Jul/Dez 2013, p. 96-98. URL: http://ref.scielo.org/n7p699
Pascoal, H. & Araújo, F. (2013), “9 de junho de 1997 (Calendário do som) : manuscrito e lead sheet de realização”, Per Musi, Belo Horizonte, UFMG, nº 28, Jul/Dez 2013, p.99-101. URL: http://ref.scielo.org/7gtsxr
Formação
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1995 - 1999 | Bacharelado em Música Popular - UNICAMP (Brasil)
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2005 - 2007 | Mestrado em Música - UFMG (Brasil)
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2012 - 2016 | Doutorado em Música e Musicologia - Paris-Sorbonne (França)
Afiliações Acadêmicas
Faculdade de Música do Espírito Santo [FAMES]
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Diretor Geral.
Universidade Federal do Espírito Santo [UFES]
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Professor Adjunto CIII - Departamento de Teoria da Arte e Música.
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Professor Permanente do Programa de Pós-Graduação em Artes.
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Coordenador do Núcleo de Estudos em Música e Musicologia Audiotátil [eMMa].
Universidade Federal do Estado do Rio de Janeiro [UNIRIO]
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Professor Colaborador do Programa de Pós-Graduação em Música.
Institut de Recherche en Musicologie [IReMus/Paris-Sorbonne/CNRS - França]
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Membro Associado
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CRIJMA Co-diretor: Centre de Recherche sur le Jazz et Musiques Audiotactiles [IReMus]
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GRMB Research Collaborator: Groupe de Recherche de Musique Brésilienne
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RJMA Direção Editorial (link is external): Revue Jazz et Musiques Audiotactiles
Universidade Estadual de Campinas [Unicamp]
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Pesquisador colaborador do Grupo de Pesquisa: Música Popular: História, Produção e Linguagem
Conferências
Paris-Sorbonne University, France
Invited Speaker, “Brésil-France-Italie. L'internationalisation de la recherche à travers les dialogues musicaux. La "musique audiotactile",” Séminaires Internationaux du GRMB - IReMus, Paris, France, April 6, 2017. URL :<http://www.iremus.cnrs.fr/sites/default/files/programme_du_6_avril_en_4_pages.pdf>
Invited Speaker, “À quoi sert la Théorie des Musiques Audiotactiles”, Round Table Member, Paris-Sorbonne University, Paris, France, September 9, 2016
Invited Speaker, Journée d’études dediée à la Théorie des Musiques Audiotactiles, Round Table Member, Paris-Sorbonne University, Paris, France, Juin 4, 2015
Contributed, “Groove et écriture dans une ‘rélécture’ de Toccata em Ritmo de Samba n. 2 de R. Gnattali”, Seminaire International du GRMB “Brésil, musique nouvelle, musique ancienne”– Univertsité Paris-Sorbonne, Paris, France, January 23, 2015
URL: http://www.iremus.cnrs.fr/fr/evenements/bresil-musique-ancienne-musique-nouvelle
University of Turin, Italy
Contributed, “Pluralité de ‘Spuntos’ et Formativité Audiotactile”, Convegno Sistema e Libertà. Razionalità e Improvvisazione tra Filosofia, Arte e Pratiche Umane, Centro Studi Filosofico “Luigi Pareyson”, Universtà di Torino, Turin, Italy, January 29, 2015. URL: http://www.pareyson.unito.it/Locandina-convegno-sistema-e-liberta.pdf
Conservatoire Nationale Supérieur de Musique et Danse de Paris, France
Invited Speaker, “La mise en place de la notion de formativité dans la musicologie du jazz: l’approche analytique audiotactille de Caporaletti”, Journée d’études Théories d’Analyse, 2014.
Jean-Monnet University, France
Invited Speaker, “Écouter/Reconnaitre le ‘Lieu Interactionnel-Formatif’: Singularité et Universalité dans l’Expérience Musical Collective Audiotactile”, Cycle de Journné d’Études Écoute Multiple, Écoute des Multiples, Université Jean-Monnet et Université de Lyon, Saint-Étienne, France, March 24, 2017. URL: https://www.univ-st-etienne.fr/_attachments/cierec-journee-d-etude-diversite-de-l-ecoute-musicale-2-2/PROGRAMME CYCLE JOURNEES.pdf?download=true
University of Macerata, Italy
Guest Lecturer, “Nuove Prospettive sulla Musica Brasiliana”, Conferenza nell’ambito del corso di Musicologia Generale, Università di Macerata, Macerata, Italy, March 31, 2017. URL: http://studiumanistici.unimc.it/it/site-news/eventi/nuove-prospettive-sulla-musica-brasiliana
Conservatorio ‘Santa Cecilia’ di Roma, Italy
Guest Lecturer, “Nouveaux Regards sur la Musique Brésilienne”, Conservatorio ‘Santa Cecilia’ di Roma, Rome, Italy, March 30, 2017
Federal University of Goiás, Goiânia – UFG, Brazil
Invited Speaker, “Música e Improvisação”, XVI Sempem - Seminário Nacional de Pós-Graduação em Música da UFG, EMAC/UFG, Goiânia GO, Brazil, Sept 26, 2016. URL: http://sempem2016.weebly.com/dr-fabiano-arauacutejo-costa-ufes.html
Invited Speaker, “Música Audiotátil: Um novo olhar sob o fenômeno improvisativo”, V Encontro nacional de piano da UFG, Goiânia GO, Brazil, Sept 29, 2016. URL: http://encontropianoemac.wixsite.com/encontropianoemac/services
Guest Lecturer: IV Encontro Nacional de Piano da UFG, (Sept 26, 27 & 28, 2016), Course: “Analysis of ‘Audiotactile Musics’ Compositional, Extemporaneous and Improvisational Processes”. Original Title: Análise de processos composicionais, extemporâneos e improvisativos de ‘músicas audiotáteis’. URL: http://encontropianoemac.wixsite.com/encontropianoemac/services
Espirito Santo College of Music – FAMES, Vitória, ES, Brazil
Invited Speaker, VI Music Research Week: Diversity in Music – Concepts and Practices in a Plural Society: “Transcultural Musicology: Cultural Diversity in Music Making”, URL: http://fames.es.gov.br/noticiasView/72390_-Fames-divulga-programacao-para-a-VI-Semana-de-Pesquisa-em-Musica.html
Federal University of of Rio de Janeiro – UFRJ, Brazil
Key Speaker, Ist CRIJMA Cycle of Musicology Seminars – Brazil 2017, “Improvisation, Groove and Musical Interaction: Audiotactile Epistemological Pertinence”, Aug 25, 2017, URL: http://www.musica.ufrj.br/index.php?option=com_content&view=article&id=1975:2017-08-13-20-47-50&catid=39:gerais&Itemid=86
Federal University of the State of Rio de Janeiro – UNIRIO, Brazil
Key Speaker, Ist CRIJMA Cycle of Musicology Seminars – Brazil 2017, “Improvisation, Groove and Musical Interaction: Audiotactile Epistemological Pertinece”, Aug 14, 2017, URL: https://crijmabrasil2017.wixsite.com/crijmabrasil2017-pt/progr-unirio
Federal University of Minas Gerais – UFMG, Brazil
Key Speaker, Ist CRIJMA Cycle of Musicology Seminars – Brazil 2017, “Musicology in Audiotactile Perspective”, Aug 21, 2017, URL: https://crijmabrasil2017.wixsite.com/crijmabrasil2017-pt/progr-ufmg
State University of Campinas – UNICAMP, Brazil
Key Speaker, Ist CRIJMA Cycle of Musicology Seminars – Brazil 2017, “The Audiotactile Paradigm in Musicology”, Aug 23, 2017, URL: https://www.iar.unicamp.br/evento/1o-ciclo-de-seminarios-de-musicologia-do-crijma
Federal University of Espírito Santo – UFES, Brazil
Key Speaker, Ist CRIJMA Cycle of Musicology Seminars – Brazil 2017, “Formativity and Audiotactility”, Aug 24, 2017, URL: https://crijmabrasil2017.wixsite.com/crijmabrasil2017-pt/progr-ufes