On Music and Musicology
Much of my musicological work concerns how human beings interact, musically, creating groove and improvising, within transcultural artistic contexts. With respect to this matter I formalized the concept of "Interactional-Formative Space".
I am particularly interested in Audiotactile Phenomenology and its rapports with Groove, Swing, Improvisation and Interaction Analysis; Crtitcs and History of Popular Music. I am also interested in studies in Brazilian Popular Music and its inter and trans-cultural dynamics, improvised music and post-1969 Jazz.
Currently I develop projects in the following institutions:
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Federal University of Espirito Santo (UFES), as senior lecturer in Popular Music and Transcultural musicology coordinator of [eMMa] Núcleo de Estudo em Música e Musicologia Audiotátil. Project: [GRIMM] Groove, Improvisação e Interação Musical.
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Federal University of Rio de Janeiro State (UNIRIO), as "Professor colaborador" at Programa de Pós-graduação em Música.
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Institut de Recherche en Musicologie (IReMus/Sorbonne Université), as associate researcher, co-diretor of RJMA - Revue d'études du Jazz et des Musiques Audiotactiles at [CRIJMA] Centre de Recherche sur le Jazz et Musiques Audiotactiles.
Papers
2019 | Book Chapters
Araújo Costa, F. (2019), “À l'écoute du ‘lieu interactionnel-formatif’”, In: Ramaut-Chevassus, B. & Fargeton, P., Écoute multiple, écoute des multiples, Paris, Éditions Hermman, coll. « Esthétique » (GREAM/CIEREC).
2018 | Articles
Araújo Costa, F. (April 2018a), “Brazilian Popular Music and the Audiotactile Paradigm: An Introduction”, RJMA – Journal of Jazz and Audiotactile Musics Studies, n. 1, Eng. Notebook, IReMus. URL:http://www.iremus.cnrs.fr/fr/publications/journal-jazz-and-audiotactile-musics-studies-english-notebook
Araújo Costa, F. (April 2018b), “Groove and Writing in Toccata em ritmo de Samba nº 2 by Radamés Gnattali: Mediological Subsumption and Emergences of the ‘Interactional-Formative Space’”, RJMA – Journal of Jazz and Audiotactile Musics Studies, n. 1, Eng. Section, IReMus. URL:http://www.iremus.cnrs.fr/fr/publications/journal-jazz-and-audiotactile-musics-studies-english-notebook
Araújo Costa, F.; Caporaletti, V.; Cugny, L. (April 2018c), « CRIJMA/RJMA – Programme », RJMA – Journal of Jazz and Audiotactile Musics Studies, n.1, Eng. Section, InstIReMus. URL:http://www.iremus.cnrs.fr/fr/publications/journal-jazz-and-audiotactile-musics-studies-english-notebook
2018 | Book Chapters
Araújo Costa, F. (2018), “O problema da ‘formatividade’ nos trabalhos teóricos de Umberto Eco: origens, posicionamentos, e uma leitura recente no campo da musicologia”, In: Vermes, V. Mònica et al (org.), Obras abertas: leituras de Umberto Eco, Ufes, 2018. URL: https://seminarioumbertoeco.wixsite.com/obrasabertas/publicacoes
2010 – 2015 | Articles
Araújo Costa, F. (2015), “Plurality of ‘Spuntos’ and Audiotactile Formativity: A New Look on Collective Music Improvisation”, Itinera: Rivista di filosofia e teoria delle arti, Nuova serie, n. 10 - Sistema e libertà. Razionalità e improvvisazione tra filosofia, arte e pratiche umane, (Università Degli Studi di Milano), p. 216 -233. Doi: http://dx.doi.org/10.13130/2039-9251/6661
Araújo Costa, F. (2015), “Notes on the Interactional Aesthetic Experience in Miles Davis’ 1969 Groups: The ‘Bitches Brew’ Project and Concerts with the 3rd Quintet”, Epistrophy, nº1, Jazz et Modernité/Jazz and Modernity - ISSN: 2431-1235. URL: http://www.epistrophy.fr/remarques-sur-l-experience.html
Araújo, F. & Borém, F. (2013), “Schoenberg's Tonal Harmony: a proposal of analysis, realization and composition of lead sheets”, Per Musi, Belo Horizonte, UFMG, nº 28, Jul/Dez 2013, p. 35-69. URL: http://ref.scielo.org/6kmjv7
Araújo, F. & Borém, F. (2013), “Schoenberg's Developing Variation on Hermeto Pascoal: analysis and realization of two lead sheets from Calendário do Som”, Per Musi, Belo Horizonte, UFMG, nº 28, Jul/Dez 2013, p. 70-95. URL: http://ref.scielo.org/4tnwfy
Borém, F. & Araújo, F. (2010), “Hermeto Pascoal: Life Experience and the Formation of his Harmonic Language”, Per Musi, Belo Horizonte, UFMG, nº 22, Jul/Dez 2010, p. 22-43. URL: http://ref.scielo.org/g3pk9c
Manuscript Editions
Pascoal, H. & Araújo, F. (2013), “23 de junho de 1996 (Calendário do som) : manuscrito e lead sheet de realização”, Per Musi, Belo Horizonte, UFMG, nº 28, Jul/Dez 2013, p. 96-98. URL: http://ref.scielo.org/n7p699
Pascoal, H. & Araújo, F. (2013), “9 de junho de 1997 (Calendário do som) : manuscrito e lead sheet de realização”, Per Musi, Belo Horizonte, UFMG, nº 28, Jul/Dez 2013, p.99-101. URL: http://ref.scielo.org/7gtsxr
Conferences
Paris-Sorbonne University, France
Invited Speaker, “Brésil-France-Italie. L'internationalisation de la recherche à travers les dialogues musicaux. La "musique audiotactile",” Séminaires Internationaux du GRMB - IReMus, Paris, France, April 6, 2017. URL :<http://www.iremus.cnrs.fr/sites/default/files/programme_du_6_avril_en_4_pages.pdf>
Invited Speaker, “À quoi sert la Théorie des Musiques Audiotactiles”, Round Table Member, Paris-Sorbonne University, Paris, France, September 9, 2016
Invited Speaker, Journée d’études dediée à la Théorie des Musiques Audiotactiles, Round Table Member, Paris-Sorbonne University, Paris, France, Juin 4, 2015
Contributed, “Groove et écriture dans une ‘rélécture’ de Toccata em Ritmo de Samba n. 2 de R. Gnattali”, Seminaire International du GRMB “Brésil, musique nouvelle, musique ancienne”– Univertsité Paris-Sorbonne, Paris, France, January 23, 2015
URL: http://www.iremus.cnrs.fr/fr/evenements/bresil-musique-ancienne-musique-nouvelle
University of Turin, Italy
Contributed, “Pluralité de ‘Spuntos’ et Formativité Audiotactile”, Convegno Sistema e Libertà. Razionalità e Improvvisazione tra Filosofia, Arte e Pratiche Umane, Centro Studi Filosofico “Luigi Pareyson”, Universtà di Torino, Turin, Italy, January 29, 2015. URL: http://www.pareyson.unito.it/Locandina-convegno-sistema-e-liberta.pdf
Conservatoire Nationale Supérieur de Musique et Danse de Paris, France
Invited Speaker, “La mise en place de la notion de formativité dans la musicologie du jazz: l’approche analytique audiotactille de Caporaletti”, Journée d’études Théories d’Analyse, 2014.
Jean-Monnet University, France
Invited Speaker, “Écouter/Reconnaitre le ‘Lieu Interactionnel-Formatif’: Singularité et Universalité dans l’Expérience Musical Collective Audiotactile”, Cycle de Journné d’Études Écoute Multiple, Écoute des Multiples, Université Jean-Monnet et Université de Lyon, Saint-Étienne, France, March 24, 2017. URL: https://www.univ-st-etienne.fr/_attachments/cierec-journee-d-etude-diversite-de-l-ecoute-musicale-2-2/PROGRAMME CYCLE JOURNEES.pdf?download=true
University of Macerata, Italy
Guest Lecturer, “Nuove Prospettive sulla Musica Brasiliana”, Conferenza nell’ambito del corso di Musicologia Generale, Università di Macerata, Macerata, Italy, March 31, 2017. URL: http://studiumanistici.unimc.it/it/site-news/eventi/nuove-prospettive-sulla-musica-brasiliana
Conservatorio ‘Santa Cecilia’ di Roma, Italy
Guest Lecturer, “Nouveaux Regards sur la Musique Brésilienne”, Conservatorio ‘Santa Cecilia’ di Roma, Rome, Italy, March 30, 2017
Federal University of Goiás, Goiânia – UFG, Brazil
Invited Speaker, “Música e Improvisação”, XVI Sempem - Seminário Nacional de Pós-Graduação em Música da UFG, EMAC/UFG, Goiânia GO, Brazil, Sept 26, 2016. URL: http://sempem2016.weebly.com/dr-fabiano-arauacutejo-costa-ufes.html
Invited Speaker, “Música Audiotátil: Um novo olhar sob o fenômeno improvisativo”, V Encontro nacional de piano da UFG, Goiânia GO, Brazil, Sept 29, 2016. URL: http://encontropianoemac.wixsite.com/encontropianoemac/services
Guest Lecturer: IV Encontro Nacional de Piano da UFG, (Sept 26, 27 & 28, 2016), Course: “Analysis of ‘Audiotactile Musics’ Compositional, Extemporaneous and Improvisational Processes”. Original Title: Análise de processos composicionais, extemporâneos e improvisativos de ‘músicas audiotáteis’. URL: http://encontropianoemac.wixsite.com/encontropianoemac/services
Espirito Santo College of Music – FAMES, Vitória, ES, Brazil
Invited Speaker, VI Music Research Week: Diversity in Music – Concepts and Practices in a Plural Society: “Transcultural Musicology: Cultural Diversity in Music Making”, URL: http://fames.es.gov.br/noticiasView/72390_-Fames-divulga-programacao-para-a-VI-Semana-de-Pesquisa-em-Musica.html
Federal University of of Rio de Janeiro – UFRJ, Brazil
Key Speaker, Ist CRIJMA Cycle of Musicology Seminars – Brazil 2017, “Improvisation, Groove and Musical Interaction: Audiotactile Epistemological Pertinence”, Aug 25, 2017, URL: http://www.musica.ufrj.br/index.php?option=com_content&view=article&id=1975:2017-08-13-20-47-50&catid=39:gerais&Itemid=86
Federal University of the State of Rio de Janeiro – UNIRIO, Brazil
Key Speaker, Ist CRIJMA Cycle of Musicology Seminars – Brazil 2017, “Improvisation, Groove and Musical Interaction: Audiotactile Epistemological Pertinece”, Aug 14, 2017, URL: https://crijmabrasil2017.wixsite.com/crijmabrasil2017-pt/progr-unirio
Federal University of Minas Gerais – UFMG, Brazil
Key Speaker, Ist CRIJMA Cycle of Musicology Seminars – Brazil 2017, “Musicology in Audiotactile Perspective”, Aug 21, 2017, URL: https://crijmabrasil2017.wixsite.com/crijmabrasil2017-pt/progr-ufmg
State University of Campinas – UNICAMP, Brazil
Key Speaker, Ist CRIJMA Cycle of Musicology Seminars – Brazil 2017, “The Audiotactile Paradigm in Musicology”, Aug 23, 2017, URL: https://www.iar.unicamp.br/evento/1o-ciclo-de-seminarios-de-musicologia-do-crijma
Federal University of Espírito Santo – UFES, Brazil
Key Speaker, Ist CRIJMA Cycle of Musicology Seminars – Brazil 2017, “Formativity and Audiotactility”, Aug 24, 2017, URL: https://crijmabrasil2017.wixsite.com/crijmabrasil2017-pt/progr-ufes